回复：【J采访】如何让导演让马克瓦尔捕捉到杰克吉伦哈尔的表演

Jake and Naomi responded toDemolitionjust the way I did, so that was an easy choice. We didn’t want to do a romance. It’s not about romance, yet there’s a slight romance in the film. These two have some sort of attraction for each other, but there’s nothing sexual. I loved the difference of age between the two, and it shows, and that’s why we went there with Naomi and Jake. There’s a 10-year difference. She meets him, and they’re curious about each other, but they know it’s probably an impossible relationship, but that’s the fun part also.

杰克和娜奥米回应《爆破》就像我做的，所以这是一个简单的选择。我们不想做浪漫的。这不是关于浪漫，但有一个轻微的浪漫在电影中。这两者对彼此有一定的吸引力，但是没有任何性。我喜欢两者之间的不同年龄，这说明，这就是为什么我们去那里找娜奥米和杰克。有一个10年的差异。她遇到了他，他们很好奇，但他们知道这可能是一个不可能的关系，但这是有趣的部分。

Gyllenhaal has changed his appearance dramatically in such recent films asNightcrawlerandSouthpaw. Did you sit down with him at the beginning to discuss his look in this film?
吉伦哈尔在他最近的电影《夜行者》和《铁拳》外貌发生了巨大的变化。你是和他一起坐下来讨论这部电影吗？

We knew we wanted a transformation from the beginning to the end. I wanted to shoot the film in chronology. At the beginning, this guy is working on Wall Street. He’s clean-cut, shaved, perfect hair. And then by page five, seven, he stops shaving, he stops taking care of himself. So we wanted to have a transformation and do it for real. We managed the production to do that. We start with Jake the way he is. But then he starts to grow his beard, his hair, he starts to dress differently. He becomes this other guy as he tries to findhimself.

Most films don’t shoot in continuity.
大多数电影没有拍摄的连续性。

Yeah, I know. That was a must for me; that was a big thing I fought for. I was telling the producers, “Come on guys, let’s make the concessions and cuts somewhere else, but let’s find the money we need to do that. This is going to help the actors in their art, and this is going to help us.” Sometimes we had to leave a location and then come back three weeks later. It costs more, but it makes quite a difference. Just not having to have a fake beard or fake hair. From the beginning to the end, you will see Jake evolving physically.

是的，我知道。这对我来说是必须的，我为之奋斗的一件大事。我告诉制片人，“来吧，我们的让步和削减其他地方，但让我们找到我们需要做的钱。这将有助于艺术行为，这将帮助我们。“有时我们不得不离开一个地方，三周后回来。它花费了更多的成本，但它却有很大的不同。只是不需要有假胡子或假头发。从开始到结束，你会看到杰克在身体上的变化。

Did you use the same stripped-down shooting style as inDallas Buyers Club?
你用同样的精简的拍摄风格在《达拉斯买家俱乐部》？

Yes, we shot available light, 99 percent. The production designer is lighting the film with his practical lamps, which he chose meticulously with the D.P. in order to have enough light. There’s no flags to block the light, no reflectors to reflect the light. We shoot 360degrees. That was the approach fromDallastoWildto this one. The actors love it, I love it, it’s lighter, and funny enough, we go faster this way, too. Everything we needed to do withDemolition, we did in 34 days. It’s very liberating. We focus on the essential. It’s nice to not always know what you are going to do when you arrive on the set. I don’t do shot lists. I work with the actors. The more I shoot, the more I feel comfortable doing this.

是的，我们拍摄99%的可用光。在这部电影生产制作和实用的灯照明灯具，精心选择了该有足够的光线。没有标记来阻挡光线，没有反射反射光线。我们拍了360度。这是从《达拉斯》到《涉足荒野》的方法。演员们喜欢它，我也喜欢它，它是轻的，有趣的是，这条路我们走的更快。我们需要做《爆破》一切，我们拍了34天。这是自由的。我们专注于本质。这很好，不知道你要做什么时，你到达的设置。我不做镜头列表。我和演员们一起工作。我拍的越多，觉得越舒服。

Is there added pressure showing opening night?
在开幕之夜是否增加的压力？

Maybe a tiny bit. But I rarely put pressure on myself. I’m grateful for what I have going on, I feel blessed and honored. Opening TIFF, it takes some balls from TIFF, from [artistic director]Cameron [Bailey]and [festival director]Piers [Handling]as the opening film, and I’m glad they did it. I feel like I’m always welcome inToronto.

可能是一点点。但我很少给自己施加压力。我很感激我的所做，感到幸福和荣幸。TIFF开幕，TIFF它需要一些欢乐，从[艺术总监]卡梅伦[Bailey]和[导演]Piers[Handling]作为开幕电影，我很高兴他们做到了。我感觉我总是欢迎多伦多。

What’s next for you?
你的下一步是什么？

I’m hoping to do a film aboutJanis JoplinwithAmy Adams. It’s not done yet. There are some legal issues, but that’s the project that’s in my heart. I’d like to do a rock ’n’ roll film with lots of music. I like to use music to frame stories. So I hope it’s going to work.