作品完成后通过美国一家网站（欢迎补充）以众筹的方式发售，最终发售130体（可能有差异，欢迎补充）该版本在地台上均有大卫亲笔签名。众筹签名版地台分为两种，第一种为中间空心的形式（求大家补充）打桩难度大，第二种如下图，前后脚桩位都有加强。
实物图（部分来着网络，侵删）

个人对发售版本的评价是喜忧参半，喜的是原模中大部分细节都予以保存还原，整体精细程度令人震惊，许多细节是手工雕刻几乎无法实现的，个人认为穆迪2,0是将ZBrush数字雕刻技术运用到极致的一款里程碑作品。
具体细节如图所示（均为自然光实拍）：
头部：

身体：

尾巴及四肢

地台

此处补充两张打印原模图，细节差距还是有的，但是最终效果还是令人满意的。

说完了喜，该说忧了。
最终成品树脂质量不好，可以用差来形容，强度不高，气泡现象略严重，牙齿稀烂。我经手的穆迪2.0达到两位数，有气泡问题的占了一半，尤其是第一批众筹版本，见过最大直径超过1cm的气泡，还有连绵不绝覆盖整个脖颈接口的气泡群，对于修模和摆放来说非常恼人。
欢迎大家补图

牙口稀烂，牙齿非常容易断，几乎没有牙口完好的穆迪。建议大家在组装修模时，按照建模图重新做一口牙

在众筹签名版本发售完成之后，恐龙零售商店Dan's Dinosaurs上线预告2020年第一季度发售，但是犹豫疫情影响，一直到2020年的11月，Dan's Dinosaurs终于正式发售。这一版本跟众筹签名版最大的区别就是地台上没有签名，另外气泡问题有所好转，其他并无区别。

另外这一作品地台在翻模是缩模严重，有些会出现组装好之后脚桩与地台桩位对不上的情况，需要重新打桩才能站稳。这个毛病可能会造成穆迪体态的略微差异。

个人认为这款作品可以说是恐龙gk中的里程碑，代表了目前为止数字雕刻技术的极致，代表了对于古生物化石标本科学复原和艺术加工的完美结合。
它的好应该是公认的，你可以不认可他的复原，不认可他的艺术造诣，但是你不得不承认，这是一款带有强烈个人色彩的非常好的作品。
而让人痛心有无奈的是，这样的好作品总是逃不过盗版翻模的魔爪，那些鼓吹自己盗版的垃圾人良心不会痛吗？承认知识版权就这么难吗？
希望大家远离盗版翻模，支持正版，支持原创，这样才能让整个恐龙gk圈繁荣发展下去。

最后以一段大卫本人对这款作品的评价作为本帖的结束。也希望这个帖子能解答大家对这款作品的一些疑虑，欢迎展示和交流。
"Regina Mundi is my 3rd interpretation of Sue, the famous T.rex from the Field Museum of Natural History in Chicago. Our understanding of dinosaurs changes all the time, as do their appearance. In 1999 my first version of Sue (Rex Mundi) was much thinner - these days it would be called "shrink wrapped". In 2008 my second version was the Sideshow Collectibles T.rex. She was more fleshed out and reflected some of the wounds and pathologies that have been described on the skeleton. This new version, Regina Mundi, is my most comprehensive version to date. After working with paleontologists for a period of 5 months, this is the shape she now takes. She is now a big beefy brute! New evidence suggests thats T.rex was perhaps covered in tiny little scales and its face may have been protected by a keratinous sheath and large scales on its snout. The prospect of some kind of hair or feather like integument can still not be ruled out, so I included what I like to call "elephant hairs" over parts of her body. Recently it has become common to depict dinosaurs with lips which was something I could not resist exploring. I tried to incorporate every wound and pathology that Sue had, from gout, broken bones, infections, bites and pulled muscles... It is clear this dinosaur led a rough life . She was a real character. I can't resist a good character. I won't lie, this sculpt was a hard one for me to do. I was trying to break old habits and reinvent my style. I wanted a pose that said "don't mess with mamma-bear" but still maintain a subtle more animalistic gesture. I tried for grace and girth at the same time. I hope I got that."
- David Krentz

俯视图来了